SCIENTISTS' AESTHETIC JUDGEMENTS

Using Aesthetic Judgements to Distinguish between Humans and Computers

As a result of continuing advances in computer capabilities, it is becoming increasingly difficult to distinguish between humans and computers in the digital world. We propose using the fundamental human ability to distinguish between things that are aesthetically pleasing and those that are not as the basis of a method to verify that a communicating party is human. We discuss one possible impl...

Hemispheric laterality measured in Rembrandt's portraits using pupil diameter and aesthetic verbal judgements.

Eckhard Hess claimed that pupils dilate to pleasant images and constrict to unpleasant images. However, his work was confounded since his image's luminances and contrasts across conditions were inconsistent. We overcome this limitation and suggest a new, promising methodology for research in this area. We presented rightward or leftward facing male and female portraits by Rembrandt to observers...

Criteria for the Creation of Aesthetic Images for Human-Computer Interfaces A Survey for Computer Scientists

Interaction in modern human-computer interfaces is most intuitively initiated in an image-based way. Often images are the key components of an interface. However, too frequently, interfaces are still designed by computer scientists with no explicit education in the aesthetic design of interfaces and images. This article develops a well-defined system of criteria for the aesthetic design of imag...

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Components of aesthetic experience: aesthetic fascination, aesthetic appraisal, and aesthetic emotion

In this paper aesthetic experience is defined as an experience qualitatively different from everyday experience and similar to other exceptional states of mind. Three crucial characteristics of aesthetic experience are discussed: fascination with an aesthetic object (high arousal and attention), appraisal of the symbolic reality of an object (high cognitive engagement), and a strong feeling of ...